
Leonora Carrington (British, 1917–2011), The Pleasures of Dagobert, 1945, Egg tempera on Masonite, 29 3/4 × 34 1/4 inches,
Collection of Eduardo F. Costantini, © 2025 Estate of Leonora Carrington / Artists Rights Society (ARS), New York

Exquisite Corpse 2026
We Drink the Wine for a Third Time The Exquisite Corpse III
Curated by Deanna Sirlin
The Artists
Lisa Alembik, Anita Arliss, Andi Arnovitz, Susan Bee, Emily Berger, Amber Boardman, Philip Carpenter, David Clifton-Strawn,
Susan A. Cipcic, Marcia Cohen, Lesley Dill, Craig Dongoski, Ken Friedman, Glenn Goldberg, Laura Gurton,
José Heerkens, Marikke Heinz-Hoek, Paula Henderson, Luzene Hill, David Humphrey, Jane Jaskevich, Nimet Keser,
Cynthia Knott, Martine Lafon, Caroline Lathan-Stiefel, Mark Leibert, Anya Liftig, Pam Longobardi, Joanne Mattera,
Tamara McElhannon,Tracy Murrell, Joseph Peragine, Daniel Pettrow, Denis Piel, Ed Rath, Nicolette Reim,
Wolf Sakowski, Dee Shapiro, Jena Sibille, Louise Sloan, Monica Trevisan, Tim Youd
.webp)
Suzanne Jackson, 2019. Photograph by Tim Doyon. Courtesy Ortuzar Projects.
by Olivia Louise Marotte

Tim Youd typing on the Hammond 12 in Striking Characters, 2025, Schatten Gallery, Emory University, Photo: Bita Honarvar
theartsection: An Online Journal of Art and Cultural Commentary is published six times a year by
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Black & White with Considerations of Grey
Curated by Deanna Sirlin
The Artists
Lisa Alembik, Anita Arliss, Philip Carpenter, In Kyoung Chun, Susan A. Cipcic, Susan Cofer, Craig Dongoski, Sabre Esler, Jeri Graham, Marea Haslett, Roxane Hollosi, Benjamin Jones, Mark Leibert, Pam Longobardi, Joseph Peragine, Nicolette Reim, Corina Sephora,
Jena Sibille, Jerry Siegel and Deanna Sirlin