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Philip Guston, The Canvas, 1973, oil on canvas 67 x 79 inches, Zabludowicz Collection, UK

Introduction to the Issue 

by Deanna Sirlin

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Tony Oursler, Tear of the Cloud, installation views, 2018, outdoor projection installation, Riverside Park South, New York, courtesy of the artist and Public Art Fund, photographed by Nicholas Knight

Tony Oursler 

 

with Michaël Amy

Peter Schjeldahl,1982 photo: Timothy Greenfield-Sanders Collection Collection MFA Houston, Gift of Mr. and Mrs. Neil E. Kelley 

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Marina Abramović, The Cleaner exhibition, A view of reproformace by Lyn Bentschik  Moderna Museet, Stockholm Photo: Peter-Paul Weiler 
 

On Reperforming Abramović 

Lyn Bentschik in dialogue with Philip Auslander

theartsection: An Online Journal of Art and Cultural Commentary is published six times a year by

The Art Section, Inc., a tax-exempt organization. Our first issue appeared in June of 2007. For over fifteen years, we have presented thought-provoking writing on the arts and culture, including the visual arts and design, music, performance, film, poetry and literature. We regularly present creative projects in online formats and publish poetry, fiction, and non-fiction. If you are interested in submitting your work, please contact us at theartsection@gmail.com

The Art Section
Published by The Art Section, Inc.


Deanna Sirlin
Publisher & Editor-in-Chief

Philip Auslander
Editor

Nicolette Reim

Proofreader

The Art Section is 15 Years Old!

The First Issue of The Art Section was May 2007.

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Funding for this program is provided by the

Fulton County Board of Commissioners

The Georgia Council for the Arts

The Metropolitan Atlanta Arts Fund

Poets & Writers

The Art Section appreciates the generous support from

 

Louis Corrigan

The Guthman Donor Fund

David and Diane Schuster

Rob Smulian and Lynn Borsuk

Stan Cohen

Marc and Livia Straus

Philip Carpenter and Daryl White

Rick and Susan Andre

Andi Arnovitz

Jorn Ake

Tamara McElhannon

Joanne Mattera

Maxime Hull

Anonymous Donor

The Art Section is funded in part by a grant from South Arts in partnership with the National Endowment for the Arts and the following:

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